![]() ![]() ![]() In triumph he does a kind of snake-necked, bug-eyed moonwalk that looks like Michael Jackson after having watched too many "Amazing World of Reptiles" videos. As for Tucker, he's got a repertoire of improvised stylistics-in-motion in one, he's just lit up a fleeing psycho's car loaded with explosives. Chan learns, for example, that the n-word, sportily used among some American blacks, is not so easily regarded when he himself essays its usage. Both are so fundamentally good-hearted you cannot but admire their rapport as the plot takes them into the silly mystery. These two frequently stop the movie just to riff, and the riffs are usually great. He's a special effect in the flesh whose minstrel show antics play to and against type, always to hilarious effect. This is Tucker, a phenomenon in his own right: He has no martial arts prowess but does have one of those manic plastic faces whose various orifices leak splats of noise even as he is improvising against the script. The FBI, the inevitable organization of dreary white men in suits, seeks to cool him out in some backwater, so it dredges up the most incompetent detective on the LAPD to baby-sit him. Chan plays a Hong Kong inspector seconded to Los Angeles when the child of a prominent Chinese diplomat is kidnapped. The movie here is routine enough, and no plot summary can do its body pyrotechnics true justice. I have yet to figure out how he can seem to change direction in midair it shouldn't be doable, not without computer morphing, but Chan is such an eel-clown of anti-gravity, he brings it off. He has moves that are so fast and subtle that they seem to deny several of Isaac Newton's more stridently defended policies. But he has that incredible ability to stay in character as he falls off a 40-foot building and breaks his ankle for the 19th time. In his Asian films he won't use stuntmen, and has broken nearly every bone in his body. Best of all it finds in Tucker a partner for him to play off, one who brings out his low-key charms and high-octane stunt work.Ĭhan is himself a miracle, one of the great cinematic moving targets. ![]() And the news, for Chanophiles, is good: "Rush Hour" is a sturdily entertaining vehicle, easily the little guy's best American-made film. His lost career has been relocated in "Rush Hour," a buddy picture where he matches and meshes styles with stand-up comic Chris Tucker, a kind of poor man's Chris Rock. Somehow the angelic-faced gymnast with the fantastic moves and the guts of a Green Beret just hasn't connected with American audiences. Jackie Chan, that is, who is arguably the world's most popular movie star except in the United States. This cultural clash allowed for more organic and nuanced humor, making the franchise even more memorable.Chris Tucker and Jackie Chan star in "Rush Hour." Jackie Chan’s character Lee is constantly frustrated by the chaos and disorganization of the city, while Chris Tucker’s character Carter embraces the frenzied energy. The franchise also found humor contrasting East and West, particularly in the second movie’s depiction of Hong Kong’s bustling and chaotic streets.Īlso Read: Marvel Studios Accidentally Reveals MCU Original Native-American Superhero With No Comic Book Origin – May Be Planning a Solo Project Soon This comedic dynamic was central to the franchise’s appeal and helped to distinguish it from other buddy cop films.īut the humor in Rush Hour was not just limited to language barriers. One of the key factors that made Rush Hour such a success was the humor that arose from the contrast between Chris Tucker’s fast-talking, wise-cracking character, and Chan’s more reserved and serious demeanor. However, the two overcame their language barriers and cultural differences to create a truly iconic cinematic duo. After two decades of trying, Chan had given up on breaking into the American film market, and Chris Tucker was a relatively unknown actor before being cast in Rush Hour. It’s fascinating that such a successful partnership could have easily fallen apart before it began. Suggested Article: ‘I’m not worried about you… I’m worried about the next project’: Jodie Foster Couldn’t Stop Robert Downey Jr’s Black Tar Heroin Addiction as Iron Man Star Thought it Made Him ‘Invincible’ ![]()
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